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WHOSE GUEST ARE YOU?

Capturing the unique essence of the individual artist, "The Guest" project, conceived by Jamie Hayon for Lladró Atelier, invites cutting-edge artists from around the world to create a distinctive personality for an original porcelain character. Based in Valencia, Spain, the Lladró Atelier was conceived to provide room for the creativity of Lladro's in-house designers and invited guests to bring new ideas to the world of porcelain. With this collaboration, The Guest becomes a kind of platform where artists from various disciplines work alongside the world's leading brands in the creation and commercialization of art porcelain. In addition to Jamie Hayon, recent artists creating special guests include American artist Tim Biskup and the Japanese studio Devilrobots.

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TONES by Pantone v3.02: Color News & Views

FEATURES
Whose Guest Are You?
Going 3D Without the
Silly Glasses
Mid-Century Madness
Resting in a Rainbow
Too Cool For School
SPECIAL SECTION:
Tangerine Tango At Large

DESIGN TRENDS
Isn't it Surreal?
Lighten Up
The Mad Hatter
Wearing Your Fruits & Vegetables
Well Furnished
Going Round

COLOR FORECASTS
Flamenco Flourish
New Old School

INTERVIEW
Tom Sieu and John Barretto
of COLOR IN ACTION
 
This Issue's Contributors
myPantone
myColor myIdea
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GOING 3D WITHOUT
THE SILLY GLASSES


Looking to replace that couch? With consumers increasingly looking for a more personalized multi-channel shopping experience, retailers and manufacturers are challenging themselves to come up with innovative solutions that offer ease and convenience. LOFT by NedSense, a new 3D technology, addresses the changing shopping dynamic by enabling consumers to get a lifelike preview of how a new piece of furniture, fabric, carpet, lighting and even art work would look, feel and fit in your home. Everything is rendered dynamically (photorealistic) and looks real. Visit a LOFT-enabled website to begin creating your ideal home space from their library of existing rooms; or upload your own digital photograph and LOFT easily converts your 2D room image into a 3D showcase. In just seconds you can easily replace an old piece of furniture with something new from an individual retailer's assortment, hang that new piece of art on your wall, or try out new fabrics and colors – all without ever leaving your seat. Coming up in June, Crate & Barrel will be introducing the LOFT by NedSense Customer Experience service to all of their retail locations and even on their website. And, no glasses required! Happy shopping.

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MID-CENTURY MADNESS

Dynamic or flat, funny or serious, advertising slogans and images tell a powerful story, providing insight into the culture of the era in which they appear. Mid-Century Ads: Advertising from the 'Mad Men' Era, created by Steven Heller and Jim Heimann, highlights the clever marketing campaigns of the 1950s and 1960s, when Americans were feeling optimistic and consumerism was at an all-time high. Selling everything from girdles and guns to cigarettes and tail-finned cars, this was an idealized world full of promise where brightly colored hues were used to showcase products that purported to improve our lives. Makes you wonder what the scholars of tomorrow will think when they look back to the ads of today for diet pills, Viagra and gold bars.

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RESTING IN A RAINBOW

Using a palette of fourteen shades that represent the wildflowers indigenous to this desert region, the Saguaro Hotel in Palm Springs, California is alive with color. Inspired by Mexican architect Luis Barragan and created by Peter Stamberg and Paul Aferiat of Stamberg Aferiat Architecture, the colorful rainbow design is carried throughout the hotel, providing a sharp contrast to the illustrious palm trees. Even the lobby offers a colorful
welcome with its wallpaper design of red Bird-of-Paradise flowers against an architectural mountainscape. Now you can truly dream in color.

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TOO COOL FOR SCHOOL

Inspired by an artist's tool kit, Korean beauty label "Too Cool For School" takes us back to our days in art class. With lip liners that look like they are fresh out of a Crayola crayon box, blush that gets squeezed out of a tube, glosses reminiscent of a paint tin and multi-use creams housed in paint jars, these products designed to look like school supplies from "Too Cool" are just "Too Cute" for us to resist.


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SPECIAL SECTION: TANGERINE TANGO AT LARGE

Since Pantone first unveiled TANGERINE TANGO as the 2012 Color of the Year, Keith Recker, founder and editor of HAND/EYE Magazine and consultant to Pantone Color Studio, has been scouring the globe for instances of this rich, vibrant shade of reddish orange. His search has taken him from the cacophonous streets of New York to lush Connecticut gardens to the sleepy plazas of Santa Fe; from the cosmetic counters of Sephora to the palettes of fine artists to the ceremonial wardrobes of Southeast Asian Monks.



Now, Keith presents a series of five Tangerine Tango articles, each highlighting a different creative application in which Tangerine Tango has blossomed. Click on a title below to read an article on the Pantone Blog.

 Tangerine Tango: Fashion and Beauty
 Tangerine Tango: Fine Art
 Tangerine Tango: Folk Art
 Tangerine Tango: Interior Design
 Tangerine Tango: In the Garden Tweet

 

 



ISN'T IT SURREAL?

Tapping into the creative and imaginative forces of the mind, surrealist design contains an element of surprise and serves to remind us that things are not always what they seem. Presenting us with beautiful illusions, surrealist motifs continually show up in fashion – and now seem to be surfacing as a big trend for fashion accessories as well. Playful and attention getting, these beguiling new designs are certainly worth taking a second look.

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LIGHTEN UP

If you really want to shine your might consider adding some LEDs to your wardrobe. In the last decade, as technology has improved, the use of soft flexible circuitry has grown. Offering a new dimension to clothing designers and producers, wearable electronics are now starting to show up in evening wear for men and women, in handbags, and we are even seeing fiber optic brooches. German fashion label Moon Berlin offers chiffon dresses with white LEDs that twinkle softly at first, then shine more intensely as the wearer moves. Want to try creating your own unique glowing design? The Flora electronic platform from Adafruit Industries will help you sparkle.

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THE MAD HATTER

Making a significant statement on the fashion runways for fall 2012? Hats! Once a fashion staple, hats were long ago retired from their position as a mandatory accessory for women. However, with fashion becoming more polished, the time might just be ripe to bring back the topper to provide that special finishing touch. But can this trend leap from the runways into our everyday reality? Only time will tell...

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WEARING YOUR FRUITS & VEGETABLES

The "green" message is making itself known in fashion these days – quite literally. With some believing that style has moved too far into the urban jungle and that we all need to slow down, we are getting many overt reminders that "green" is now rooted in fashion's soil and soul. While the surreal association of fashion with a vegetable garden is both whimsical and fun, in their salute to healthy living designers including Dolce & Gabbanna, Ferragamo and Trusardi are heaping their runways with fruit and vegetable prints. We are constantly reminded that " we are what we eat", but in this case we wonder if we are also what we wear.

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WELL FURNISHED

While many designers are preparing us for a world with fewer natural resources by creating products that are made with sustainable materials, others seem additionally focused on comfort and are designing colorful products that are bigger and softer. Cute and cuddly, the vibrant Bunny armchair created by designer duo Boris Berlin and AleksejIsko takes us back to our days as children, while these colorful gentleman's chairs from B & B Italia and the new Husk outdoor furniture collection made from recycled materials by Patricia Urquiola for B & B Italia will surely envelope.

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GOING ROUND

Making a bold and colorfully modern statement, the WC Line designed by Josh Owen for Kontextur, shows us that even the most utilitarian of cleaning tools can be enhanced through design. Made of silicone with wood handles, these practical bathroom cleaning tools with their circular shape even add an element of glamour. Stylish and sturdy, this space-conscious and highly functional bath trio means you no longer have to hide your Plunger, Toilet Brush
and Waste Bin but can proudly display them for all to see… and covet.

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FLAMENCO FLOURISH

Our belief that strong color will remain important is on vivid display in Co-llective, a trend palette found in Unity, the PANTONEVIEW Color Planner forecast for Spring/Summer 2013. This lively and vivacious mix of super strong fluorescent tones and sweetened pastels will surely get your attention. Bright and glowing, light hearted, a blur of energy, the Co-llective palette is one that speaks to pure delight.

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NEW OLD SCHOOL

Adding a twist to a somewhat "preppy" collegiate and classic palette for home furnishings in 2013, New Old School, a range of shades connected to heritage and history, celebrates the hues typically found in iconic flags and banners. While the styles are also reminders of the past, some sport a new contemporized look. There is Ribbon Red, Bright White and Sodalite Blue while Nautical Blue salutes Breen and Ultramarine Green. Gargoyle and Micro Chip grays draw a visible link to the contrast between the old world and the new.

Pantone Color Team
PANTONEVIEW home + interiors 2013

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TOM SIEU AND JOHN BARRETTO OF COLOR IN ACTION

Without question, good design enhances our lives esthetically and functionally. But how about socially? Can design be a power for social change? COLOR IN ACTION, a project of faculty and students at Academy of Art University in San Francisco, set out to explore that possibility, as student teams devised projects that examined relationships between color and social behavior. TONES reached project leaders Tom Sieu and John Barretto soon after the winning student team received a $10,000 scholarship from project sponsor Pantone.

TONES: How did you come up with the idea for this project?

TOM SIEU: The Pantone and AAU collaboration was built upon the idea of using design to create positive social change. We (Academy of Art Graphic Design students) have been testing this model for the past three years within the classroom walls of AAU, functioning as a think tank to broaden the definition of design. Recently, our students have been taking on social design challenges with actual organizations like The Living Principles and GOOD Magazine. And now we have had an opportunity to collaborate with Pantone to achieve the same goals using color as a key driver.

JOHN BARRETTO: I was lucky enough to have Tom include me on this project. The 601 Type Systems class in the graduate program at the Academy of Art has historically produced books as their final deliverable. My project has focused on producing a concept book promoting a museum that should exist in this world based on public need and the individual student's personal interests and passions. When Tom approached me about this opportunity, I modified the Museum project so that color could play a more important role in applications and also required that the Museum be a destination that betters the world we live in. In the past, only a minority of students have produced work that addresses social issues so this was a nice way to get the students to consider projects that are personal and meaningful to society.

TONES: What guidelines did you give your students for selecting their themes?

TOM SIEU: Students were asked to brainstorm ideas that were close to their heart and reflected who they are as a person, but they were challenged to consider the greater good of the project. So long as the subject matter addressed a social cause, the guidelines were pretty loose.

TONES: How were the student teams organized?

JOHN BARRETTO: After a couple rounds of brainstorms and generating moodboards to visually support their ideas, general themes started to emerge in the classroom so students were grouped together based on these consistencies.

TONES: How were the projects evaluated?

JOHN BARRETTO: Projects were evaluated based on how well they incorporated color as a device to bring recognition to their cause. Because this was a group project, teams were evaluated on their collaboration and their process and ability to push the project as far as they could. There are a number of audience touchpoints that needed to be addressed and the success of the project was determined by how well the system holds up across multiple deliverables.

TOM SIEU: We evaluated how each project could possibly become a reality and be implemented. So it goes from purely conceptual to something tangible and actionable.

TONES: Were the students required to form a hypothesis, to be proven or disproven? Or were the projects more of an exploration?

TOM SIEU: The students were asked to frame their problem in a way that forced them to question everything along the way. This resulted in much more exploration than students are used to. Rather than getting down to the tactical, students spent most of the first half of class researching their subject matter, formulating their ideas and developing a strategy for execution.

TONES: As art instructors, going in you must have had certain expectations about the behavioral influences of particular colors. Did your expectations pan out, or were there some surprises?

TOM SIEU: As we were preparing the brief for the class, we anticipated certain colors to have associated meanings based on culture, history and trend. For example, warm colors = active, cool colors = calm or more specifically red = aids, green = eco. We pushed each team to either accept the color perception and take it to the next level OR challenge it and define why.

Team Literacy used the boldness of red as a strong call-to-action to promote reading. They equate red = read as a clever hook to brand their campaign and took into account that it's difficult to ignore red.

Team Sense, on the other hand, looked at how color is interpreted through someone who is visually impaired. This process turned out to be a completely different evaluation of color influence. The result was a system of symbols in braille to help define color choices and preferences on a daily basis. This was an unexpected surprise.
JOHN BARRETTO: After studying art and having a working knowledge of color theory, I learned some basic color principles; but it has taken the full course of my career to understand how color can express or evoke certain emotions. It was nice to see students considering how color communicates this early on in their careers in a highly conceptual way. If anything, I was surprised by how well they embraced the concept.

TONES: Do you feel there is a direct cause-and-effect between the design we encounter in our environment and our social behavior? Or is it more subtle?

TOM SIEU: There is definitely a direct cause-and-effect between design and our environment. The impact can be overt or subtle depending on its purpose and intent. I'm a big believer that "designers" bring to the table a value that goes beyond just skinning the surface. It's the ability to design for a complete experience vs. just designing a thing. This means being able to see the bigger picture and understand more ways to reach our audience effectively along the way. And as we've seen with this collaboration, color can play a huge role to shape the storytelling from beginning to end. We are the narrators.

JOHN BARRETTO: Sure. I believe that good design has the ability to affect your social behavior. It's the subtlety that often times makes it good though. Today, the lines between architecture, interior design and graphic design are blurring. We are all "designers" and color can work the same way whether in 2D or 3D. If anything, graphic design adds a layer of messaging to the use of color and form that makes it even more powerful in influencing human behavior.

TONES: Will this be a recurring project at the Academy? Based on the results of this project, what will you do next or as a follow up?

TOM SIEU: This project will continue after this semester. The interest and need is there. The form and shape of its storytelling may evolve, depending on the circumstance, but the goal will remain the same – that is, to design for the greater good and with a social cause in mind. We will also continue to help shape past and present student projects, to become a reality. This is an on-going initiative that goes beyond the classroom.

JOHN BARRETTO: I'd love to see this continue. If not, it has definitely influenced my approach to the Museum project in future iterations. It will be interesting to see how the students respond to the feedback. I believe several of them have projects that can become realities if they chose to push their ideas forward. I always feel connected to each and every one of my students after the completion of a class and I would support them in any way if they chose to bring their ideas to fruition.

EDITOR'S NOTE:
The judges selected Team Bullying as the winner of the Color in Action project. Team Bullying posed the question, "How Does Color Affect a Developing Brain and Can We Use it to Lower Aggression and Teach Tolerance?" Studies have shown that one's physical environment directly impacts behavior, and certain colors are linked to increases in brain development, visual processing and lowered stress. With today's alarming rates of bullying-related violence and suicides, Team Bullying set out to see if color could be a force for positive change. The team's goal was to use color as a tool for enhancing the school environment, building community and embracing diversity.


Read more about Color In Action on the project blog or Facebook page, see the winning project, or visit the AAU website.


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